Pogo: The Complete Daily & Sunday Comic Strips, Vol. 1: Through the Wild Blue Wonder (v. 1) by Fantagraphics
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“...[An] essential purchase for any collection that values comic-strip reprints is finally available. ...[T]he inventive wordplay, idiosyncratic swamp patter, and goofy slapstick are all in full effect right from the start, as is the broad cast of loony critters... Due to run 12 volumes, this collection completes the holy trifecta, along with Charles Schulz’ Peanuts and George Herriman’s Krazy Kat, of comic strips whose influence cannot be overstated.” (Ian Chipman - Booklist )“Walt Kelly’s wit and charm is unmatched in the history of sequential storytelling, and is in evidence here fully developed. I’d get this book for Jimmy Breslin’s introduction alone. Go. Read this. You’ll charm the pants off of yourself.” (Mike Gold - ComicMix )“Walt Kelly’s Pogo... is justifiably hailed as one of the great achievements of the postwar comic strip.... This wonderful first volume of a projected 12-volume series contains the strip’s first two official years... I salute this launch... [Rating] 9/10” (Michael Barrett - PopMatters )“It's hard to think of another newspaper cartoonist who equalled [Kelly's] talents…. The design is impeccable and the quality of the line art reproduction is superb.” (Mark Frauenfelder - Boing Boing )“Kelly’s drawings are just magnificent, and his sophisticated writing style was far ahead of its time. Its time has come – and Fantagraphics has gone out of its way to ensure the best possible copies of these rare strips were found, restored and preserved perfectly here for all time... A great gift for anyone – especially you.” (Jerry Beck - Cartoon Brew )“…[A]bsolutely beautiful, a big comic book with real heft and majesty....
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Pogo: The Complete Daily & Sunday Comic Strips, Vol. 1: Through the Wild Blue Wonder (v. 1) Feature
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The first volume of the second-most requested strip collection reprint in Fantagraphics' history.
Walt Kelly started his career at age 13 in Connecticut as a cartoonist and reporter for the Bridgeport Post. In 1935, he moved to Los Angeles and joined the Walt Disney Studio, where he worked on classic animated films, including Pinocchio, Dumbo, and Fantasia. Rather than take sides in a bitter labor strike, he moved back east in 1941 and began drawing comic books.It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the “Albert the Alligator” feature. It didn’t take long until Pogo became the comic’s leading character. After WWII, Kelly became artistic director at the New York Star, where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers.
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